R.I.P. Frank Delaney

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(https://de.wikipedia.org)

The literary world lost an important figure in late February. Frank Delaney, (October 29, 1942-February 21, 2017) the novelist and historian from Ireland, died at the age of 74. Delaney, who loved history and the writings of James Joyce, had a website, Frank Delaney’s site, in which he spoke of both literature and had podcasts, viewed by millions, about Joyce’s novel Ulysses.

Delaney, was also an accomplished novelist with a long list of books to his credit; among them are Ireland, A Novel, Shannon, Tipperary, and The Matchmaker of Kenmare. Delaney’s passing has impact on me because I have used his novel Ireland, A Novel in my Irish  Literature class at the Wescoe School of Muhlenberg College in Allentown, PA. The students, all of whom are adults, usually enjoy this brilliant work that incorporates both the history of Ireland with a well woven family saga. It is deeply informative and moving; Delaney speaks to the larger historical issues and events that make up Irish history as well as showing the deep connections of family and story-telling within the texts. If anyone has interest in Ireland, I recommend this book with my highest regards.

To Frank Delaney, I hope wherever you are that you have an audience to hear your wonderful tales! And may you Rest In Peace.

 

Dining With Authors: Part Two

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https://en.wikipedia.org/wiki/English_Renaissance_theatre

The drawing of the Swan Theatre (1596)

Hamlet, Doctor Faustus, The Tempest, and Edward the Second are just a few of the plays produced by the two greatest playwrights of the Renaissance: William Shakespeare and Christopher Marlowe. Born in the same year–1564, they were the two premier writers of their age and arguably among the  most important of any era. These are writers who have informed both my studies and entranced my imagination.  At Muhlenberg College, I teach Renaissance drama courses and Shakespeare .

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https://pixabay.com

Christopher Marlowe

https://en.wikipedia.org/wiki/Christopher_Marlowe

I would love to have the opportunity through a magic time machine to sit down and have a conversation with these two giants of the theater. I would invite both writers to spend an afternoon or evening at a pub–English of course–and over beer and food discuss many topics with them. I am sure that sometimes I would simply listen to them.

I would love to hear what they said about their work and how they felt about each other. I would love to learn from them the specifics of the way their plays were staged. I would ask Marlowe about his mysterious work for the Queen of England.  Was he a spy?  I do not know if he would answer, but I would still have to ask.

I would ask Shakespeare about the canon of his plays.  Were there plays he wrote that are currently lost?  If so, what are they? And I have often wondered if he ever considered writing a tragedy about King Arthur.

I also wonder how the two great writers would behave together. Would this be a polite conversation, a deep discussion of theatrical issues, or a wild and fiery debate or argument among bitter rivals?

I wish I could speak with them.

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Searching for Innocent Bystander

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(https://pixabay.com)

I need help with a project I am currently working on.  In May 2014 I completed my dissertation From the Political to the Personal: Interrogation, Imprisonment, and Sanction In the Prison Drama of Seamus Byrne and Brendan Behan. I found this work to be extremely interesting and satisfying especially because the study of Irish Theatre in the 20th Century has been central to my academic work. One of my immediate discoveries was while an abundance of research has been done on Brendan Behan, very little has been written on Seamus Byrne.

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I am currently working on a book focused on Seamus Byrne. In it, I will examine his life and his three plays that were produced. His last play, Innocent Bystander, is presenting itself as the most mysterious. According to the site, PlayographyIreland, it was produced at the Abbey Theatre in November of 1951. Other than some small pieces of information, I have found neither a copy of the play itself nor more specific and detailed accounting of the production.

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I was wondering if any of you have any suggestions about places to hunt for this play in Ireland. I have contacted the Irish National Library, which has a manuscript copy, but the fee for them doing the copying is extremely high.

Thank you in advance for any help or suggestions you might have!

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