Dining With Characters, Part 4–Revisited

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Romantic_Landscape'_by_John_Trumbull,_Dayton_Art_Institute

(commons.wikipedia.org)

(John Trumball)

I chose this painting for the mood of calm it suggests, perhaps after a storm.  It seems like an ideal piece to suggest that redemption is possible.

For this particular culinary and fictional interlude, I want to speak with a few characters who have achieved redemption at the end of the work in which they appear: Ebeneezer Scrooge from Charles Dickens’ A Christmas Carol, Leontes from William Shakespeare’s The Winter’s Tale and Larry Underwood from Stephen King’s The Stand. Some characters are heroic from the beginning of the story through to the end, but some, if not the complete antagonist of the tale, are deeply flawed. In the cases of these three characters they are all deeply damaged, if not morally defective, when we see them much earlier in their respective works.

A_Christmas_Carol,_Ignorance_and_Want_by_John_Leech

https://commons.wikipedia.org

I thought, given the nature of these men, an afternoon of a few glasses of ale might be the perfect way to discuss what they have learned or how they came to an understanding of what they needed to change in their lives. Scrooge, of course, had to learn not to focus his life on the acquisition and hoarding of material goods, and that people and their welfare should be his concern.

Pauline_Implores_Leontes

(https://en.wikipedia.org/wiki/Leontes)

Leontes, in Shakespeare’s The Winter’s Tale, allows baseless and unprovoked jealousy to overtake him, and he becomes a vicious tyrant who casts out his loving wife and infant daughter.  He also loses his son to death as a consequence of his terrible actions. It is only at the end of the play when he sees a “statue” of his wife Hermione come to life that he is able to understand the enormous errors he has made and their horrible consequences.  He has to face knowing that his actions cause deep and almost unimaginable pain to other people.  At the end of the play, he is a changed man, one who seemingly has grown as a result of his wife’s extraordinary act of mercy.  His redemption can come only through the forgiveness of another.

The_Stand_cover

(https://en.wikipedia.org/wiki/The_Stand)

At the beginning of Stephen King’s epic The Stand, Larry Underwood is a dissolute rock and roll emerging star, who has fallen prey to temptation, drugs, and a very dangerous crowd. He comes back east to visit his mother just in time for the outbreak of Captain Trips. If you have not read this book, I will go no further with the plot, but I do recommend it highly.  King acknowledged that this book was his homage to Lord Of The Rings, by J.R.R. Tolkien and the same level of epic sweep and individual morality and action occurs here.  For Larry Underwood, his most powerful moment is that of personal sacrifice.

As a writer, a reader, and a teacher, I am very interested in how characters change within the arc of a story.  I would want to ask these three how it felt to achieve their most powerful changes at or near the climax of the pieces.

Are there any characters, who have achieved redemption, whom you would like to speak with about their journey within their tale?

 

GallowsHillFinalCoverEbook

Gallows Hill can be found here in ebook.

Gallows Hill in paperback can be found here.

An interview about Gallows Hill can be found here.

32570160

Please follow the following links to find my novel:

ebook

Print book

Thank you!

The book trailer:

Maledicus:Investigative Paranormal Society Book I

My radio interview:

interview

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Available on Amazon

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Who Are Some of Your Favorite Playwrights?

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It is time to continue this series about favorite writers, and I do not think I am close to finishing it! I have many ideas in mind about writers and questions about which ones you like.

For this post, I am wondering about playwrights. I have been involved with theater and drama since I was very young. I have been an actor, a director, an acting coach, and I teach drama at college, mainly at the Wescoe School of Muhlenberg College in Allentown, PA.

shakespeare-67698_960_720

(https://pixabay.com)

The first of my favorite playwrights begins with the one who is the center of literature, William Shakespeare. I have also been involved with Shakespeare most of my life. I have read his plays many times, and it is difficult to choose the ones I think most important, but I will try. My favorite Shakespeare plays are A Midsummer Night’s Dream, Henry V, and Hamlet.

arthurmiller

(https://en.wikipedia.org)

Arthur Miller, a modernist American playwright, worked in the 20th Century. Among his best plays are Death Of A Salesman, All My Sons, and The Crucible. His work is powerful, and he explores major themes of America and the world.

Brian_Friel

(By Thebogsideartists – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=43934304)

My third choice is Brian Friel, a playwright who lived from 1929-2015. He emerged as an Irish playwright and became one of the most well known and important writers in the world. Among his plays are Translations, Dancing At Lughnasa, and Philadelphia, Here I Come!

My question to all of you then is — who are some of your favorite playwrights?

Dining With Characters, Part 2 — Revisited

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For the next installment of this series, I wanted to focus on a few characters out of Shakespeare with whom I would like to spend a couple of hours eating, drinking, and talking. I have loved Shakespeare’s plays and poetry for much of my life. I have acted in and directed some of his work, and I have studied and taught his writing both at Lehigh University in Bethlehem, PA and in the Wescoe School of Muhlenberg College in Allentown, PA, so I would be thrilled to be able to speak to some of his characters.

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(https://pixabay.com)

I would have Hamlet, Henry V, and Macbeth as my guests. I imagine we would meet in an English tavern and have a basic meal and beer.  I hope that my royal attendees would not mind not having a grand meal; I am reasonably sure that Henry V and Hamlet spent a fair amount of time in such modest places before their respective plays begin, and as a Scot and a warrior, Macbeth probably was used to basic accommodations while in the field.

henry5

(https://commons.wikimedia.org)

I would ask them about their views of leadership and the responsibilities of a leader and about their portrayals in the plays.  Henry V and Macbeth are both based on historical persons, while Hamlet is perhaps based on a real person–that is a debate for another day, so I wonder what they might have to say.

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(https://pixabay.com/)

I think this would be a lively and deeply fascinating discussion.

With whom from the world of drama, not necessarily Shakespeare, would you choose to invite to dine and speak?

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Why Do You Write?

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I have a question for all you out  there who write, and that includes writers of books, poetry, plays, nonfiction, and blogs. If I left out any kind of writing, you are included also.

Why do you write?

I write because I love telling stories, because I see characters and want to know their stories, and because I feel compelled to.

So for everyone else, I am curious: Why do you write?

 

GallowsHillFinalCoverEbook

Gallows Hill can be found here in ebook.

Gallows Hill in paperback can be found here.

An interview about Gallows Hill can be found here.

32570160

Please follow the following links to find my novel:

ebook

Print book

Thank you!

The book trailer:

Maledicus:Investigative Paranormal Society Book I

My radio interview:

interview

FOE_Cover_French

 

Available on Amazon

Quotations From Shakespeare: Hamlet

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(https://pixabay.com)

On life and death:

“There is special providence in the fall of a sparrow. If it be now, ’tis not to come; if it be not to come, it will be now; if it be not now; yet it will come. The readiness is all.” (Act 5. Scene 2. Lines 217-220)

 

On Acting:

“Suit the action to the word, the word to the action, with this special observance, that you o’erstep  not the modesty of nature. For anything so o’erdone is from the purpose of playing, whose end, both at the first and now, was and is to hold as’t were the mirror up to nature.” (Act 3. Scene 2. Lines 17-22)

 

On Fate:

“There’s a divinity that shapes our ends,

Rough-hew them how we will–” (Act 5. Scene 2. Lines 10-11)

 

Works Cited:

Shakespeare, William. Hamlet. The Collect Works of Shakespeare 4th Edition. David

Bevington, Ed. Longman. New York. 1997.

 

 

Quotations From Shakespeare: A Midsummer Night’s Dream

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A Midsummer Night’s Dream by William Shakespeare is one of my favorite plays, and I have had a life long connection with this work. I have read it, seen numerous productions, acted in it, directed it, studied it in college and graduate school, written about it, delivered a conference paper on it, and taught the play in college at the Wescoe School of Muhlenberg College in Allentown, PA. So, you can see that I have had quite a relationship with this wonderful play.

As a simple tribute to Shakespeare and this play, I offer a few quotations from A Midsummer Night’s Dream:

“Captain of our fairy band,

 Helena is here at hand,

 And the youth, mistook by me,

 Pleading for a lover’s fee.

 Shall we their fond pageant see?

 Lord, what fools these mortals be!”

                                             (Act 3. Scene 2. Lines 110-115)

 

“I have had a most rare vision. I have had a dream, past the wit of man to say what dream it was.”

                                             (Act 4. Scene 2. Lines 203-204)

 

“If we shadows have offended,

 Think but this, and all is mended,

 That you have but slumbered here

 While this visions did appear.

 And this weak and idle theme,

 No more yielding but a dream,

 Gentles, do not reprehend.

 If you pardon, we will mend.

 And, as I am an honest Puck,

 If we have unearned luck

 Now to scrape the serpent’s tongue,

 We will make amends ere long;

 Else the Puck a liar call.

 So, good night unto you all.

 Give me your hands, if we be friends,

 And Robin shall restore amends.” (Act 5. Scene 1. Lines 418-433)

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(https://pixabay.com)

Quotations in William Shakespeare’s The Tempest

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Here are three quotations from The Tempest by William Shakespeare, one of his romances, formerly called the tragi-comedies, a genre he worked in toward the end of his incredible career. I have used this play often in my classes both at the Wescoe School for adult students at Muhlenberg College and at Lehigh University.

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(https://pixabay.com)

“You do look, my son, in a moved sort,

 As if you were dismay’d; be cheerful, sir.

 Our revels now are ended. These our actors,

  As I foretold you, were all spirits and

 Are melted into air: into thin air

 And, like the baseless fabric of this vision,

 The cloud-capp’d towers, the gorgeous palaces,

 The solemn temples, the great globe itself,

 Ye, all which it inherit, shall dissolve

 And, like this insubstantial pageant faded,

 Leave not a rack behind. We are such stuff

 As dreams are made on, and our little life

 Is rounded with a sleep.”

(The Tempest Act 4. Scene 1. Lines 161-173.)

 

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(William Hamilton)

“But this rough magic

 I here abjure, and, when I have required

 Some heavenly music, which even now I do,

To work my end upon their senses that

 This airy charm is for, I’ll break my staff,

 Bury it certain fathoms in the earth,

 And deeper than did ever plummet sound

I’ll drown my book.”

(The Tempest Act 5. Scene 1. Lines 55-62)

 

Miranda_-_The_Tempest_JWW

(John William Waterhouse)

“O, wonder!

 How many goodly creatures are there here!

 How beauteous mankind is! O brave new world,

 That has such people in’t”

(The Tempest Act 5. Scene 1. Lines (203-206)