Book Lovers’ Week!

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I realized that I had somehow missed that August 9 was the day of the unofficial Book Lovers’ Day. So, I have decided, without any authority, of course, that I am declaring the entire week of 8/9/17-8/15/17 to  be the unofficial holiday of Book Lovers’ Week!

Why should we celebrate only one day?  Let us embrace the week as a period of declaring to the world that we love books!

If you are with me on this idea, please spread the word!

I love books!

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A First Draft Finished!

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I have finally completed the first draft of Gallows Hill: The Investigative Paranormal Society Book 2.  It is certainly not close to being ready to be put out into the world, but this step was essential.

I also have a plan of action for the revisions, which is something I did not have in my first book. I simply rewrote and made changes both major and minor as I went along. I hope with my focused revision process, I can lower significantly the number of drafts I will need. I am also hoping that I can still have this book out in time for Halloween! We will see.

On to draft 2!

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Please follow the following links to find my novel:

ebook

Print book

Thank you!

The book trailer:

Maledicus:Investigative Paranormal Society Book I

My radio interview:

interview

Science-Fiction Films of the 1930s: Frankenstein

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The movie that I will discuss in this installment is Frankenstein.  This 1931 film was directed by James Whale and produced by Carl Laemelle, Jr. Universal Studios was following up its huge success with Dracula earlier in the year, so this film seemed like a natural choice to make. I have posted on Frankenstein before in my series on horror films, but like its namesake novel, it can also been seen as early science-fiction.

While the title and characters come from the 1818 Mary Shelley novel, it is a loose adaptation of the text.  Interestingly, the sequel, The Bride of Frankenstein, is a much more faithful treatment of the novel than this first film. This movie, one of the most important in horror film history, introduces Boris Karloff as the Creature. Karloff gives an impressive performance as the lost and lonely being who is unsure of who he is and his place in the world.  This sounds like so many teenagers and young people, and while frightening, Karloff also gathered empathy from viewers in his nuanced performance.

Bela Lugosi had been offered the part of the creature but apparently turned it down because of its lack of speaking lines.  Lugosi made a terrible career choice, because Karloff would supplant him after this film’s success as the top box office star and would continue to dominate Lugosi’s subsequent film career.

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The movie is powerful and atmospheric and is highly influenced by the artistic movement German Expressionism that had a stylistic impact on cinema especially in the 1920s and 1930s. Whale used large Gothic structures in the set and deep slashing shadows in creating the atmosphere of the film.

Jack Pierce designed the Creature’s distinctive makeup, which was an ordeal to apply and remove from Boris Karloff each day before and after filming. It is a work of design masterpiece, but it is completely different from the Creature’s appearance in the novel.

For those familiar with the novel, it is significant that not only the Creature’s appearance but also his personality and level of intelligence are vastly different from that of the character from the book. In Mary Shelley’s work, the creature is one of the narrators and is both intelligent and self-educated.  Both of those characteristics are missing from the inarticulate and not very bright film Creature. This kind of vastly different portrayal of characters and themes is something that is, unfortunately, typical of many horror films, or should I say, many film adaptations of books. That, however, should be the topic of another post.

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This movie incorporates the stuff of science-fiction, and we see Dr. Frankenstein and his then advanced technological equipment as he attempts to capture the essence of life. In fact, there is more such machinery in the film than exists in the book. So, is Frankenstein horror or science-fiction? I argue it is both.

The film was very successful financially for Universal Studios.  It is also considered by many cinema historians and critics to be one of the most important films made. It spawned numerous sequels and parodies, not limited to movies.  From Abbott and Costello Meet Frankenstein to the character of Herman Munster in The Munsters to Young Frankenstein, the story of Victor Frankenstein and his creation have been fertile ground for satire and spoofing.

 

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Please follow the following links to find my novel:

ebook

Print book

Thank you!

The book trailer:

Maledicus:Investigative Paranormal Society Book I

My radio interview:

interview

What is a Book You are Currently Reading?

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I am always interested in hearing what books other people are reading, and the blogging world has many interesting, intelligent, and engaging people in it. I am lucky to have met many of you through this blog.

I usually have several books going at one time, so I will mention that I am rereading Stephen King’s Hearts In Atlantis, which I am teaching in my Contemporary Fiction class at the Wescoe School of Muhlenberg College. I am also reading The View From the Cheap Seats by Neil Gaiman and Aggravated Momentum by Didi Oviatt.

So, what are you reading?

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Please follow the following links to find my novel:

ebook

Print book

Thank you!

The book trailer:

Maledicus:Investigative Paranormal Society Book I

My radio interview:

interview

Favorite Science-Fiction Films: A Trip to the Moon (1902)

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I teach a course for the Wescoe School at Muhlenberg College: English 255 Literature & Film, which makes me very happy, because I am able to look at both literature and film, both media which I love. In one of the lectures for the class on film history, I speak to the earliest examples of cinema.

One of the first movies is also a science-fiction film: A Trip to the Moon (La Voyage Dans La Lune). Georges Méliès, one of the innovators of cinema, was the director, and he based the film, at least loosely, on Jules Verne’s novel From The Earth To The Moon (1865).

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This movie is revolutionary not only in its being an early example of cinema but also in the treatment of science-fiction. Human beings have been explorers for the entirety of our existence, and this movie suggests that it was possible to move our journeys from the Earth to other worlds, a concept that informs our science-fiction cinema from the beginnings to our current films.

The plot shows scientists explaining how to get to the moon, the trip there, including a spaceship being shot out of a cannon, landing on the moon, being chased by inhabitants of the moon, and finally escaping back to Earth. This film explores adventure, imagination, advances in technology, and human potential.

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This movie is usually considered by critics to be one of the most important in film history. It can be seen at https://archive.org/details/ATripToTheMoon1902 . If you are interested in the history of film and science-fiction, you should see this important historic and artistic film artifact.

The film runs, depending on the print from about 10-15 minutes.

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Please follow the following links to find my novel:

ebook

Print book

Thank you!

The book trailer:

Maledicus:Investigative Paranormal Society Book I

My radio interview:

interview

A New Review of Maledicus: The Investigative Paranormal Society Book I

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“I highly recommend the book Maledicus by author Charles French. I found it riveting and excellent! Can’t wait for the next one!”

                                                          Kathi Christman Janton

I want to thank Kathi Christman Janton for her wonderful review of my book, which she posted on Facebook.

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Please follow the following links to find my novel:

ebook

Print book

Thank you!

The book trailer:

Maledicus:Investigative Paranormal Society Book I

My radio interview:

interview

Stephen King’s Quotations on Writing

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“Amateurs sit and wait for inspiration, the rest of us just get up and go to work.”

“If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut.”

 

“Let me say it again: You must not come lightly to the blank page.”

 

All quotations from:

King, Stephen On Writing: A Memoir Of The Craft 10th Anniversary Edition.