Metropolis is a brilliant science-fiction film (1927) directed by Fritz Lang. This movie, recently restored to its entirety, is a disturbing look at the world of the future through the eyes of visionaries in the 1920s. It is based on the novel of the same name by Thea von Harbou (1925). The book deals with a city created on the backs of exploited workers and run by the capitalist upper-class. It is also a love story, and it is set in the year 2026.
Metropolis offers a powerful and damning social commentary on the effects of the ruling class, the capitalist industrialists who rule the world by using and crushing the ordinary people who build and fuel their wonderland. While the workers live underground in squalor and destitution, the upper-class live literally in palaces high above the ground. There they explore and indulge in numerous amusements including those sexual and athletic. This film is not a simple polemic but drives its message through a compelling story that shows the love between the Master of Metropolis’ son Freder and Maria, who lives in the underworld and serves as a kind of saint to the oppressed.
Frankenstein, 1931, owes a cinematic debt to the mad scientist in Metropolis, Rotwang, and his equipment. There he creates a robot woman, using the life force of Maria. Clearly the novelist, Mary Shelley and her book, Frankenstein, or the Modern Prometheus, first influenced this movie.
Lang’s cinematic vision is exquisite and deeply influential to filmmakers who followed him in exploring the idea of future cites. His soaring towers and buildings, high bridges with fast cars, and aircraft flying near the buildings are based on the designs of the modernists and futurists, and this concept is a clear model for Ridley Scott’s Blade Runner. Certainly an argument can be made that Metropolis is a foundation for many other science-fiction movies.
This film is extraordinary, and the full version is now available on DVD. It is an important piece of cinematic history, and I give it my highest recommendation.
Thank you!
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Being a German film, I don’t know how many people here in the US remember it. I think here they might have been more involved with Dr. Jekyll & Mr. Hyde or maybe The Lost World.
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Perhaps, and it also did not do well at the box office, so for many people around the world, it quickly faded from view after it was released. It became more well known and appreciated later.
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Looking back at it gave it a new perspective?
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That helped, and the restoration of deleted material also was important.
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An exceptional film. I was unlucky enough to be given tickets to a dreadfully misconceived musical version in London. I think I walked out!
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I never heard of the musical version, and that is probably a good thing!
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GREAT film!
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Yes, it is!
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I don’t think it lasted very long! Brian Blessed was in it if that name means anything to you.
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I do know who he is, and he is an excellent actor.
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It almost doesn’t sound like science fiction anymore. I haven’t seen this film, but it sounds like it had quite an impact on the industry. Hopefully it wasn’t prophetic as well.
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Excellent point–and like most science-fiction, it does have a bit of prophecy to it.
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Thank you for bringing this back to the fore…It is well worth the view!
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You are very welcome!
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Reblogged this on charles french words reading and writing and commented:
Here is another post in my science-fiction film series.
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